Los rostros de López. Derivas de las imágenes en el activismo artístico

Detalles Bibliográficos
Publicado en:	Revista Pilquen. Sección ciencias sociales. Vol. 27 No. 1 (2024),24-41 27. Río Negro : Centro Universitario Regional Zona Atlántica, 2024 Artículos
Autor Principal:	Pérez Balbi, Magdalena Inés
Formato:	Artículo
Temas:	Activismo artístico Fotografía DDHH La Plata Artistic activism Photography Human Rights
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.17734/pr.17734.pdf https://revele.uncoma.edu.ar/index.php/Sociales/article/view/5258/62197
Resumen:	El artículo aborda tres intervenciones realizadas en La Plata en torno a la desaparición de Jorge julio López, rastreando los repertorios fotográficos en los que abrevan. Los casos en los que nos enfocamos son: una serie de carteles individuales (realizados entre 2007 y 2008), la campaña gráfica y para redes sociales ?Acá falta López?, realizada en conjunto por CTA, Agrupación Surcos y Colectivo Libélula en 2011 y el mural de Awkache-Marabunta en 2022, realizado sobre una intervención previa de 2016. A partir de relevamiento de archivo, entrevistas y análisis de imágenes indagamos en la relación entre intervenciones y espacio público, su articulación con la instancia de movilización y los aportes al repertorio de la protesta. Proponemos que las variaciones, matices y apropiaciones de las fotografías originarias son posibles a partir de un reconocimiento de ese archivo inicial, reproducido y potenciado por el cúmulo de intervenciones en el período abordado (2006-2022). The article deals with three interventions carried out in La Plata around the disappearance of Jorge Julio López, tracing the photographic repertoires in which they are based. The cases in which we focus are: a series of individual posters (carried out between 2007 and 2008), the graphic campaign "Here is missing López", carried out jointly by CTA, Agrupación Surcos and Colectivo Libélula in 2011 and the Awkache-Marabunta mural in 2022, painted on a previous intervention of 2016. In base of archive analysis, interviews and image survey, we investigate the relationship between these interventions and public space, its articulation with the instance of mobilization and the contributions to the protest repertoire. We propose that the variations, nuances and appropriations of the original photographs are possible from a recognition of that initial archive, reproduced and enhanced by the accumulation of interventions in the period addressed (2006-2022).
Descripción Física:	p.24-41
ISSN:	ISSN 1851-3123

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Los rostros de López. Derivas de las imágenes en el activismo artístico

https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.17734/pr.17734.pdf

https://revele.uncoma.edu.ar/index.php/Sociales/article/view/5258/62197

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