Los confines de la representación. Figuraciones sobre el pasado brasileño a la luz del concepto de heterogeneidad de Ernesto Laclau

Detalles Bibliográficos
Publicado en:	Calle 14. Vol. 13 No. 23 (2018),158-169 13. Colombia : Universidad Distrital Francisco José de Caldas, 2018 Sección central / Artículo de reflexión
Autor Principal:	Urtubey, Federico
Formato:	Artículo
Temas:	Heterogeneidad Ernesto Laclau Adriana Varejao Brasil Ciencias sociales Heterogeneity Brazil Social sciences Hétérogénéité Brésil Sciences sociale^lfr
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.16533/pr.16533.pdf http://sedici.unlp.edu.ar/handle/10915/124607 https://revistas.udistrital.edu.co/index.php/c14/article/view/12996 10.14483/21450706.12996
Resumen:	El presente trabaja analiza una serie de producciones artísticas brasileñas a la luz del concepto de heterogeneidad. Dicho concepto, retomado desde la perspectiva del teórico Ernesto Laclau, permite avanzar en el estudio de las identidades sociales, y más aún, de las dificultades inherentes a la representación de aquello que resiste ser simbolizado. Nuestra hipótesis sostiene al concepto de heterogeneidad como una clave de lectura posible para algunas producciones culturales brasileñas de la actualidad. Se abordarán cuatro obras de la artista carioca Adriana Varejao, haciendo hincapié en las estrategias compositivas y procedimentales de las cuales se sirve la artista para tematizar cuestiones relacionadas con el orden colonial, el pasado histórico y la violencia. De esta manera, proponemos un análisis de obra desde la perspectiva de las ciencias sociales, articulándolo en discusiones más amplias vinculadas con los problemas de la representación. The present article analyzes a series of Brazilian artistic productions in light of the concept of heterogeneity. This concept, taken from the perspective of the theoretician Ernesto Laclau, allows to advance in the study of social identities, and even more, of the inherent difficulties in the representation of what resists being symbolized. Our hypothesis supports the concept of heterogeneity as a possible reading key for some Brazilian cultural productions of today. Four works by the Adriana Varejao artist from Rio de Janeiro will be addressed, emphasizing the compositional and procedural strategies that the artist uses to thematize issues related to the colonial order, the historical past and violence. In this way, the work proposes a work analysis from the perspective of the social sciences, articulating it in broader discussions linked to the problems of representation. Le présent article analyse une série de productions artistiques brésiliennes à la lumière du concept d'hétérogénéité. Ce concept, pris du point de vue du théoricien Ernesto Laclau, permet d'avancer dans l'étude des identités sociales, et plus encore, des difficultés inhérentes à la représentation de ce qui se résiste à être symbolisé. Notre hypothèse soutient le concept d'hétérogénéité en tant que clé de lecture possible pour certaines productions culturelles brésiliennes d'aujourd'hui. Quatre l'oeuvres de l'artiste Adriana Varejao de Rio de Janeiro seront abordées, en mettant l'accent sur les stratégies de composition et de procédure que l'artiste utilise pour thématiser les questions liées à l'ordre colonial, le passé historique et la violence. De cette manière, on propose une analyse de l'oeuvre du point de vue des sciences sociales, en l'articulant dans des discussions plus larges liées aux problèmes de la représentation.
Descripción Física:	p.158-169
ISSN:	ISSN 2011-37572145-0706

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Los confines de la representación. Figuraciones sobre el pasado brasileño a la luz del concepto de heterogeneidad de Ernesto Laclau

https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.16533/pr.16533.pdf

http://sedici.unlp.edu.ar/handle/10915/124607

https://revistas.udistrital.edu.co/index.php/c14/article/view/12996

10.14483/21450706.12996

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