De Las patas en las fuentes al Responso: la ilegibilidad como alegoría

Detalles Bibliográficos
Publicado en:	Literatura: teoría, historia, crítica. Vol. 24 No. 1 (2022),49-73 24. Colombia : Universidad Nacional de Colombia. Facultad de Ciencias Humanas. Departamento de Literatura, 2022 Artículos
Autor Principal:	Pastoriza, Malena
Formato:	Artículo
Temas:	Alegoría de la ilegibilidad Ironía Juan José Saer Leónidas Lamborghini Política Allegory of unreadability Irony Politics Alegoria de ilegibilidade Ironia Leonidas Lamborghini Política^lpt
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.15684/pr.15684.pdf https://revistas.unal.edu.co/index.php/lthc/article/view/98436 https://ri.conicet.gov.ar/handle/11336/208671 10.15446/lthc.v24n1.98436
Resumen:	En este artículo realizamos una lectura conjunta de Responso (1964), la primera novela de Juan José Saer, y Las patas en las fuentes (1965), uno de los primeros poemas publicados por Leónidas Lamborghini. Nos proponemos indagar en las razones por las cuales ambas obras fueron calificadas de ilegibles en el contexto de los años sesenta en Argentina. Partimos de la identificación de una consonancia: sus protagonistas, Alfredo Barrios y el Solicitante Descolocado, son sujetos marginados luego del golpe de Estado y la proscripción del peronismo en 1955. Recurrimos a la categoría de alegoría de la ilegibilidad de Paul de Man para explorar el modo en que se figuran la compleja experiencia de la falta de representación política y los límites de la representación poética. In this article we perform a comparative reading of Responso (1964), the first novel of Juan José Saer, and Las patas en las fuentes (1965), one of the first poems published by Leónidas Lamborghini. Our intention is to analyze why these two works were described as "unreadable" in Argentina during the 60s. As a starting point, we will take into account a common trait: their protagonists, Alfredo Barrios and the Solicitante Descolocado, are subjects that were marginalized after the coup d'état and the Peronism's proscription in 1955. Methodologically, we use Paul de Man's category of "allegory of unreadability" to explore the way in which these works articulate the complex experience of lack of political and linguistic representation. Neste artigo fazemos uma leitura conjunta de Responso (1964), o primeiro romance de Juan José Saer, e Las patas en las fuentes (1965), um dos primeiros poemas publicados por Leónidas Lamborghini. Pretendemos investigar as razões pelas quais ambas as obras foram classificadas como ilegíveis no contexto da década de 1960 na Argentina. Partimos da identificação de uma consonância: seus protagonistas, Alfredo Barrios e o Solicitante Descolocado, são sujeitos marginalizados após o Golpe de Estado e a proscrição do peronismo em 1955. Com a categoria de alegoria da ilegibilidade de Paul de Man, propomos percorrer nestas obras a complexa experiência de falta de representação política e os limites da representação poética.
Descripción Física:	p.49-73
ISSN:	ISSN 2256-5450

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De Las patas en las fuentes al Responso: la ilegibilidad como alegoría

https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.15684/pr.15684.pdf

https://revistas.unal.edu.co/index.php/lthc/article/view/98436

https://ri.conicet.gov.ar/handle/11336/208671

10.15446/lthc.v24n1.98436

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