Configuraciones técnicas de la imaginación, el olvido y la memoria en el arte contemporáneo

Detalles Bibliográficos
Publicado en:	Revista de Filosofía (La Plata. 2022). Vol. 52 No. 2 (2022),e055 52. Ensenada : Universidad Nacional de La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Centro de Investigaciones en Filosofía; Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Departamento de Filosofía; Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Secretaría de Posgrado. Doctorado en Filosofía, 2022 Dosier: Arte, ciencia y tecnología. Creatividad, innovación y transformación
Autor Principal:	Melamed, Analía
Formato:	Artículo
Temas:	Técnica Arte contemporáneo Condición humana Technique Contemporary art Human condition
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.15187/pr.15187.pdf https://www.rdf.fahce.unlp.edu.ar/article/view/13291 10.24215/29533392e055
Resumen:	Este trabajo estudia las transformaciones de las operaciones productivas y receptivas del arte contemporáneo a partir de sus encuentros y desencuentros con la tecnociencia. Se advierte que la creciente inespecificidad de la esfera del arte, sus relaciones controvertidas con el pasado artístico y con las formas técnicas de la memoria, sus efectos en las configuraciones del sistema perceptivo humano, modifican los conceptos de arte, así como su función social. Se sostiene, además, que estas mutaciones dan lugar a una meta-reflexión estética, epistemológica y política sobre la propia condición humana en sus complejos vínculos con el sistema tecnocientífico e industrial. This work studies the transformations of the productive and receptive operations of contemporary art from its encounters and disagreements with techno-science. It is noted that the growing nonspecificity of the art sphere, its controversial relations with the artistic past and with the technical forms of memory, its effects on the configurations of the human perceptive system, modify the concepts of art, as well as its social function. It is also argued that these mutations give rise to an aesthetic, epistemological and political meta-reflection on the own human condition in its complex links with the techno-scientific and industrial system.
Descripción Física:	p.e055
ISSN:	ISSN 2953-3392

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Configuraciones técnicas de la imaginación, el olvido y la memoria en el arte contemporáneo

https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.15187/pr.15187.pdf

https://www.rdf.fahce.unlp.edu.ar/article/view/13291

10.24215/29533392e055

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