Heracles's weariness and apotheosis in Classical Greek art

Detalles Bibliográficos
Publicado en:	Synthesis. Vol. 25 No. 2 (2018),e042 25. Ensenada : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Helénicos, 2018 Artículos
Autor Principal:	Dourado Lopes, Antonio Orlando
Formato:	Artículo
Temas:	Heracles Héroe Apoteosis Arte clásico griego Hero Apotheosis Classical Greek art Ate clásico Grecia Mitología
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10707/pr.10707.pdf https://www.synthesis.fahce.unlp.edu.ar/article/view/SYNe042 10.24215/1851779Xe042
Resumen:	Este estudio propone una interpretación general de las imágenes realizadas en Grecia, a partir del siglo V a. C. en monedas, joyas, pinturas de vasijas y esculturas, que muestran el agotamiento físico de Heracles y su apoteosis divina. Luego de una extendida consideración de los principales trabajos académicos que abordaron el tema desde finales del siglo XIX, procuro mostrar que la representación iconográfica del agotamiento de Heracles y de su apoteosis da testimonio de la influencia de nuevas concepciones religiosas y filosóficas en su mito, fundamentalmente del pitagorismo, del orfismo y de los cultos mistéricos, así como del fuerte intelectualismo de la Atenas del siglo V a. C. En lugar del destino de extremo esfuerzo y de los excesos característicos de sus representaciones literarias e iconográficas anteriores, el período clásico presenta a Heracles como un modelo de virtud y de dominio de sí, lo que simboliza la victoria del mérito sobre la persecución divina y las adversidades. In this paper, I propose a general interpretation of images showing the physical exhaustion and apotheosis of Heracles that were produced during the Classical period. These images appear on or take the form of coins, jewels, vase paintings, and sculptures. Building on the major scholarly work on the subject since the late 19 th century, I suggest that the iconography of Heracles shows the influence of new religious and philosophical conceptions of his myth, in particular relating to Pythagoreanism, Orphism, and mystery cults, as well as the intellectual climate of 5th century Athens. Rather than appearing as an example of infinite toil and excess in the manner of earlier literary and iconographic representations, Heracles is presented in the Classical period as a model of virtue and self-restraint and a symbol of the triumph of merit over adversity and divine persecution.
Descripción Física:	p.e042
ISSN:	ISSN 1851-779X

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Heracles's weariness and apotheosis in Classical Greek art

https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10707/pr.10707.pdf

https://www.synthesis.fahce.unlp.edu.ar/article/view/SYNe042

10.24215/1851779Xe042

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