Figuraciones de una modernidad descentrada. Derivas sobre algunos temas de las artes visuales en América Latina y Europa (1850-1950)

Detalles Bibliográficos
Otros autores o Colaboradores:	Rueda, María de los Angeles de ([coord.]), Pérez Balbi, Magdalena Inés ([coord.])
Formato:	Libro
Lengua:	español
Datos de publicación:	La Plata : EDULP, 2018
Edición:	1a. ed.
Series:	Sociales
Temas:	Artes visuales Diseño Vanguardias Historia del arte Arte moderno
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/libros/pm.6569/pm.6569.pdf Recurso relacionado
Descripción Física:	153 p.
ISBN:	9789503416242

MARC


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245	0	0	\|a Figuraciones de una modernidad descentrada. Derivas sobre algunos temas de las artes visuales en América Latina y Europa (1850-1950) \|h [recurso electrónico] / \|c María de los Ángeles De Rueda y Magdalena I. Pérez Balbi (coordinadoras)
250			\|a 1a. ed.
260			\|a La Plata : \|b EDULP, \|c 2018
300			\|a 153 p.
490	0		\|a Sociales
505	0	0	\|t Introducción / \|r María de los Ángeles De Rueda -- \|t Del costumbrismo al realismo como vanguardia / \|r María de los Ángeles De Rueda -- \|t Episodios de cruce entre arte y política en el arte argentino (1880-1950) / \|r Magdalena I. Pérez Balbi -- \|t Naturaleza, ausencia y presencia del paisaje, entre Velasco y Fade / \|r Rubén Hitz -- \|t ¿Orillas sin río? Paisajes argentinos del Plata (mediados del siglo XIX a mediados del XX) \|r Fabiana di Luca -- \|t La modernidad paradójica: El pintor Camilo Egas y el indigenismo en Ecuador / \|r Claudia Helena Lorenzo -- \|t La revista de Arte Augusta: ecos y paralelismos del Movimiento indigenista en Argen / \|r Jorgelina Araceli Sciorra -- \|t Arte y revolución en las páginas de Revista de Oriente (1925-1926) / \|r Inés Fernández Harari -- \|t El cuerpo mecanizado: La transformación del cuerpo a través del vestuario / \|r Pheonía Veloz -- \|t La figuración de lo maravilloso y lo cotidiano en América Latina (1930- 1950) / \|r Maria de los Ángeles De Rueda -- \|t Dislocamientos surrealistas en Batlle Planas / \|r Axel Ferreyra Macedo -- \|t La escultura en el Río de La Plata: del monumento público al objeto abstracto / \|r Mariela Alonso y Rocío Sosa -- \|t ¿Un arte latinoamericano? / \|r Mariela Alonso.
540			\|a Esta obra está bajo una licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional \|u https://creativecommons.org/licenses/by-nc-sa/4.0/
650	2	7	\|a Artes visuales \|9 480038
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650	2	0	\|a Vanguardias \|9 22539
650	2	0	\|a Historia del arte \|9 15011
650	2	0	\|a Arte moderno \|9 45248
690	1	4	\|a Artes \|9 3
700			\|a Rueda, María de los Angeles de \|9 449044 \|e [coord.]
700			\|a Pérez Balbi, Magdalena Inés \|0 (AR-EnULPH)1999PerezBalbiM \|5 IDIHCS \|9 32909 \|e [coord.]
856	4	0	\|u https://www.memoria.fahce.unlp.edu.ar/libros/pm.6569/pm.6569.pdf \|x MA
856	4	2	\|u http://sedici.unlp.edu.ar/handle/10915/69402 \|z Recurso relacionado
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952			\|0 0 \|1 0 \|2 udc \|4 0 \|6 PM6569 \|7 3 \|9 127127 \|a MA \|d 2024-05-29 \|l 0 \|o pm.6569 \|p pm.6569 \|r 2024-05-29 09:31:44 \|u https://www.memoria.fahce.unlp.edu.ar/libros/pm.6569/pm.6569.pdf \|w 2024-05-29 \|y BK \|k 14 \|b MEMORIA ACADEMICA
985			\|a CTCL \|a CIEFI
999			\|c 96168 \|d 96167

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Figuraciones de una modernidad descentrada. Derivas sobre algunos temas de las artes visuales en América Latina y Europa (1850-1950)

MARC

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