La Lira y El Mundo Artístico. Apuestas editoriales para la modernización de la crítica musical en Buenos Aires (1869-1887)

Detalles Bibliográficos
Publicado en:	Anuario del Instituto de Historia Argentina. Vol. 23 No. 1 (2023),e181 23. Ensenada : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Historia Argentina y Americana, 2023 Dosier: La cultura musical en las experiencias de la modernidad: política, civilidad, sociabilidad y urbanidad (siglos XIX y XX)
Autor Principal:	Guillamón, Guillermina
Otros autores o Colaboradores:	Ojeda, Nicolás
Formato:	Artículo
Temas:	Modernidad Crítica musical Cultura musical Buenos Aires Modernity Musical criticism Musical culture
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.16138/pr.16138.pdf https://www.anuarioiha.fahce.unlp.edu.ar/article/view/12959 10.24215/2314257Xe181
Resumen:	El presente artículo indaga en la conformación de un campo de crítica especializada en música mediante el desarrollo de dos proyectos editoriales: La Lira (1869) y El Mundo Artístico (1881-1887). Para ello, se propone un abordaje comparativo de las apuestas que ambas revistas desplegaron en la búsqueda por constituirse como referentes de la escucha, la ejecución y la sociabilidad musical. La hipótesis propuesta reside en pensar que la vinculación entre modernidad y los repertorios y prácticas ponderadas por cada publicación constituyó una diada que, difundida como horizonte cultural para las élites porteñas, funcionó como sustento de la labor de las revistas aquí analizadas. The objective of the article is to analyze the formation of a field of criticism specialized in music through the publication of the magazines La Lira (1869) and El Mundo Artístico (1881-1887). A comparative approach will be carried out to analyze the strategies that both magazines deployed in the search to become references for listening, performance and musical sociability. As a hypothesis, we propose that the relationship between modernity and the repertoires and practices promoted by each publication was a cultural horizon for the Buenos Aires elites that functioned as a support for the work of the magazines analyzed here.
Descripción Física:	p.e181
ISSN:	ISSN 2314-257X

MARC


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100			\|a Guillamón, Guillermina \|u CONICET- Instituto de Estudios Históricos / Universidad Nacional de Tres de Febrero, Argentina
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245	1	0	\|a La Lira y El Mundo Artístico. Apuestas editoriales para la modernización de la crítica musical en Buenos Aires (1869-1887)
246	3	3	\|a La Lira and El Mundo Artístico. Editorial strategies for the modernization of music criticism in Buenos Aires (1869-1887)
041		7	\|2 ISO 639-1 \|a es
300			\|a p.e181
520	3		\|a El presente artículo indaga en la conformación de un campo de crítica especializada en música mediante el desarrollo de dos proyectos editoriales: La Lira (1869) y El Mundo Artístico (1881-1887). Para ello, se propone un abordaje comparativo de las apuestas que ambas revistas desplegaron en la búsqueda por constituirse como referentes de la escucha, la ejecución y la sociabilidad musical. La hipótesis propuesta reside en pensar que la vinculación entre modernidad y los repertorios y prácticas ponderadas por cada publicación constituyó una diada que, difundida como horizonte cultural para las élites porteñas, funcionó como sustento de la labor de las revistas aquí analizadas.
653			\|a Modernidad
653			\|a Crítica musical
653			\|a Cultura musical
653			\|a Buenos Aires
520	3		\|a The objective of the article is to analyze the formation of a field of criticism specialized in music through the publication of the magazines La Lira (1869) and El Mundo Artístico (1881-1887). A comparative approach will be carried out to analyze the strategies that both magazines deployed in the search to become references for listening, performance and musical sociability. As a hypothesis, we propose that the relationship between modernity and the repertoires and practices promoted by each publication was a cultural horizon for the Buenos Aires elites that functioned as a support for the work of the magazines analyzed here.
653			\|a Modernity
653			\|a Musical criticism
653			\|a Musical culture
653			\|a Buenos Aires
856	4	0	\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.16138/pr.16138.pdf
952			\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.16138/pr.16138.pdf \|a MEMORIA ACADEMICA \|b MEMORIA ACADEMICA
856	4	1	\|u https://www.anuarioiha.fahce.unlp.edu.ar/article/view/12959
856			\|u 10.24215/2314257Xe181
773	0		\|7 nnas \|t Anuario del Instituto de Historia Argentina. \|g Vol. 23 No. 1 (2023),e181 \|v 23 \|l 1 \|q e181 \|d Ensenada : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Historia Argentina y Americana, 2023 \|x ISSN 2314-257X \|k Dosier: La cultura musical en las experiencias de la modernidad: política, civilidad, sociabilidad y urbanidad (siglos XIX y XX)
542	1		\|f Esta obra está bajo una licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional \|u https://creativecommons.org/licenses/by-nc-sa/4.0/

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La Lira y El Mundo Artístico. Apuestas editoriales para la modernización de la crítica musical en Buenos Aires (1869-1887)

MARC

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