Reflexiones sobre la curaduría decolonial: el caso de "Nhande Mbya Reko - Nosso jeito de ser guarani"

Detalles Bibliográficos
Publicado en:	Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas. Vol. 18 No. 1 (2023),e20210093 18. Brasil : Museu Paraense Emílio Goeldi, 2023 Articles
Autor Principal:	Pérez Gil, Laura
Otros autores o Colaboradores:	Bugnone, Ana
Formato:	Artículo
Temas:	Museo Mbya Guaraní Curaduría colaborativa Decolonialidad Museum Mbya Guarani Collaborative curatorship Decolonialism
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.15687/pr.15687.pdf https://www.scielo.br/j/bgoeldi/a/5LZSt7YdkmnGKRGrNDF9Zhs/ http://editora.museu-goeldi.br/bh/artigos/chv18n1_2023/reflexiones(gil).pdf 10.1590/2178-2547-BGOELDI-2021-0093
Resumen:	En este artículo se describe y analiza la exposición "Nhande Mbya Reko - Nosso jeito de ser guarani", llevada a cabo en el Museu de Arqueologia e Etnologia de la Universidade Federal do Paraná (Brasil) en 2018, y se realizan una serie reflexiones teóricas y propositivas acerca de la necesidad de transformar la cultura institucional y técnica en los museos según una perspectiva decolonial. Con una metodología cualitativa, se recolectó información proveniente del proceso de curaduría colaborativa entre personal del museo y miembros de las comunidades mbya guaraní, que incluyó registros de reuniones, entrevistas, fotografías y materiales gráficos. Asimismo, los textos teóricos que ofrecen la base del análisis y las reflexiones provienen de las museologías crítica y social, los estudios decoloniales, la antropología y la sociología. Los resultados de la investigación indican que la exposición se destacó por el carácter polifónico y dialógico, ya que la curaduría colaborativa implicó la necesidad de llevar adelante debates y acuerdos entre las personas intervinientes. Por otro lado, se señala la necesidad de indagar sobre las prácticas museales y sus relaciones con las comunidades participantes, los públicos y la sociedad en general. In this paper, we describe and analyze the "Nhande Mbya Reko - Nosso jeito de ser guarani" exhibition at the Museu de Arqueologia e Etnologia at the Universidade Federal do Paraná (Brazil) in 2018. A series of theoretical and proactive considerations on the need to transform the technical and institutional culture in museums from a decolonial perspective are also included. Qualitative methodology was used to gather information from the process of collaborative curatorship involving both the museum staff and members of the Mbya Guarani communities, which include records of meetings, interviews, photographs and graphic material. The theoretical texts that provide a foundation for analysis and reflection come from social and critical museology, decolonial studies, anthropology and sociology. The exhibition was notable for dialog and the multiple voices it featured, since the collaborative curatorship required discussions and agreement between all parties involved. Additionally, this paper highlights the need to investigate museum practices and their relationships with participating communities, the public and society as a whole.
Descripción Física:	p.e20210093
ISSN:	ISSN 1981-8122

MARC


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100			\|a Pérez Gil, Laura \|u Universidade Federal do Paraná. Curitiba, Paraná, Brasil
700			\|a Bugnone, Ana \|u Universidade Federal do Paraná. Curitiba, Paraná, Brasil
245	1	0	\|a Reflexiones sobre la curaduría decolonial: el caso de "Nhande Mbya Reko - Nosso jeito de ser guarani"
246	3	3	\|a Thoughts on decolonial curatorship: the "Nhande Mbya Reko - Nosso jeito de ser guarani" exhibitio
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520	3		\|a En este artículo se describe y analiza la exposición "Nhande Mbya Reko - Nosso jeito de ser guarani", llevada a cabo en el Museu de Arqueologia e Etnologia de la Universidade Federal do Paraná (Brasil) en 2018, y se realizan una serie reflexiones teóricas y propositivas acerca de la necesidad de transformar la cultura institucional y técnica en los museos según una perspectiva decolonial. Con una metodología cualitativa, se recolectó información proveniente del proceso de curaduría colaborativa entre personal del museo y miembros de las comunidades mbya guaraní, que incluyó registros de reuniones, entrevistas, fotografías y materiales gráficos. Asimismo, los textos teóricos que ofrecen la base del análisis y las reflexiones provienen de las museologías crítica y social, los estudios decoloniales, la antropología y la sociología. Los resultados de la investigación indican que la exposición se destacó por el carácter polifónico y dialógico, ya que la curaduría colaborativa implicó la necesidad de llevar adelante debates y acuerdos entre las personas intervinientes. Por otro lado, se señala la necesidad de indagar sobre las prácticas museales y sus relaciones con las comunidades participantes, los públicos y la sociedad en general.
653			\|a Museo
653			\|a Mbya Guaraní
653			\|a Curaduría colaborativa
653			\|a Decolonialidad
520	3		\|a In this paper, we describe and analyze the "Nhande Mbya Reko - Nosso jeito de ser guarani" exhibition at the Museu de Arqueologia e Etnologia at the Universidade Federal do Paraná (Brazil) in 2018. A series of theoretical and proactive considerations on the need to transform the technical and institutional culture in museums from a decolonial perspective are also included. Qualitative methodology was used to gather information from the process of collaborative curatorship involving both the museum staff and members of the Mbya Guarani communities, which include records of meetings, interviews, photographs and graphic material. The theoretical texts that provide a foundation for analysis and reflection come from social and critical museology, decolonial studies, anthropology and sociology. The exhibition was notable for dialog and the multiple voices it featured, since the collaborative curatorship required discussions and agreement between all parties involved. Additionally, this paper highlights the need to investigate museum practices and their relationships with participating communities, the public and society as a whole.
653			\|a Museum
653			\|a Mbya Guarani
653			\|a Collaborative curatorship
653			\|a Decolonialism
856	4	0	\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.15687/pr.15687.pdf
952			\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.15687/pr.15687.pdf \|a MEMORIA ACADEMICA \|b MEMORIA ACADEMICA
856	4	1	\|u https://www.scielo.br/j/bgoeldi/a/5LZSt7YdkmnGKRGrNDF9Zhs/
856	4	1	\|u http://editora.museu-goeldi.br/bh/artigos/chv18n1_2023/reflexiones(gil).pdf
856			\|u 10.1590/2178-2547-BGOELDI-2021-0093
773	0		\|7 nnas \|t Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas. \|g Vol. 18 No. 1 (2023),e20210093 \|v 18 \|l 1 \|q e20210093 \|d Brasil : Museu Paraense Emílio Goeldi, 2023 \|x ISSN 1981-8122 \|k Articles
542	1		\|f Esta obra está bajo una licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional \|u https://creativecommons.org/licenses/by-nc-sa/4.0/

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Reflexiones sobre la curaduría decolonial: el caso de "Nhande Mbya Reko - Nosso jeito de ser guarani"

MARC

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