El epistolario Onetti-Payró : Cartas sobre la educación estética de un joven escritor

Detalles Bibliográficos
Publicado en: Rassegna iberistica. Vol. 40 No. 108 (2017),323-340 40. Venezia : Edizioni Ca' Foscari, 2017
Autor Principal: Linares, Maximiliano
Formato: Artículo
Temas:
Acceso en línea:https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.14537/pr.14537.pdf
http://sedici.unlp.edu.ar/handle/10915/104368
http://hdl.handle.net/11336/66543
https://edizionicafoscari.unive.it/riviste/rassegna-iberistica/2017/108/el-epistolario-onetti-payro/
Resumen:This article examines a set of sixty seven letters that Uruguayan narrator Juan Carlos Onetti sent to Argentinian critic and art historian Juio E. Payró between the years 1937 and 1955 from Montevideo to Buenos Aires. This analysis focuses on a series of topics and questions that assume paramount significance in terms of 'onettian' fiction. This approach synthesizes various relevant themes: his reflections upon plastic arts and post-impressionist European painters and his permanent allusion to the literature as a central role in his aesthetic reflections. Additionally this analysis incorporates the significative figure of the constructivist painter Joaquín Torres García to the already existing extensive cultural exchange between the two shores of the Río de la Plata.
Descripción Física:p.323-340
ISSN:ISSN 0392-4777

MARC

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100 |a Linares, Maximiliano  |u Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones en Humanidades y Ciencias Sociales (IdIHCS-FaHCE-UNLP) 
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520 3 |a This article examines a set of sixty seven letters that Uruguayan narrator Juan Carlos Onetti sent to Argentinian critic and art historian Juio E. Payró between the years 1937 and 1955 from Montevideo to Buenos Aires. This analysis focuses on a series of topics and questions that assume paramount significance in terms of 'onettian' fiction. This approach synthesizes various relevant themes: his reflections upon plastic arts and post-impressionist European painters and his permanent allusion to the literature as a central role in his aesthetic reflections. Additionally this analysis incorporates the significative figure of the constructivist painter Joaquín Torres García to the already existing extensive cultural exchange between the two shores of the Río de la Plata. 
653 |a Aesthetic education 
653 |a Letters 
653 |a J.C. Onetti 
653 |a Julio E. Payró. J. Torres García 
653 |a Río de la Plata 
856 4 0 |u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.14537/pr.14537.pdf 
952 |u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.14537/pr.14537.pdf  |a MEMORIA ACADEMICA  |b MEMORIA ACADEMICA 
856 4 1 |u http://sedici.unlp.edu.ar/handle/10915/104368 
856 4 1 |u http://hdl.handle.net/11336/66543 
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773 0 |7 nnas  |t Rassegna iberistica.   |g Vol. 40 No. 108 (2017),323-340  |v 40  |l 108  |q 323-340  |d Venezia : Edizioni Ca' Foscari, 2017  |x ISSN 0392-4777 
542 1 |f Esta obra está bajo una licencia Creative Commons Atribución 4.0 Internacional  |u http://creativecommons.org/licenses/by/4.0/