Romanticismo, crítica y uso : los emprendimientos musicales independientes y las discusiones del campo de estudios de la música

Detalles Bibliográficos
Publicado en:	El oído pensante. Vol. 6 No. 2 (2018),77-99 6. Buenos Aires : Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Ciencias Antropológicas, 2018
Autor Principal:	Boix, Ornela
Otros autores o Colaboradores:	Gallo, Guadalupe Mariana, Irisarri, Victoria, Semán, Pablo Federico
Formato:	Artículo
Temas:	Música independiente Jóvenes Nuevas tecnologías Pragmatismo Crítica Independent music Youth New technologies Pragmatism Critique Música independente^lpt Jovens Novas tecnologias
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.13740/pr.13740.pdf http://sedici.unlp.edu.ar/handle/10915/95383 http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7483 https://ri.conicet.gov.ar/handle/11336/94787
Resumen:	A partir de una investigación colectiva discernimos una configuración emergente en la que gestionar, mezclar y habitar son verbos constitutivos de la experiencia musical entre jóvenes que participan de espacios de producción y uso de música independiente en las ciudades de Buenos Aires y La Plata desde el año 2008 hasta la actualidad. En este artículo nos interesa conectar aspectos relevantes de esa configuración con proposiciones teóricas más abstractas sosteniendo un doble papel: ampliar la capacidad heurística a nuestros análisis empíricos iniciales y darle fundamentos a una consideración reflexiva de la noción de "campo de estudios sociales de la música". Este esfuerzo se orienta a desarrollar los siguientes puntos: 1) la relación entre arte y mercado, 2) la relación entre crítica y pragmática, 3) la relación entre música y movimientos sociales y 4) la relación entre estas problematizaciones y las características del campo de análisis de los fenómenos musicales. Based on a collective research we perceive an emergent configuration in which the verbs to manage, mix and inhabit are constitutive of the musical experience among young people who participate in the production and use of independent music in the cities of Buenos Aires and La Plata from the year 2008 to the present. In this article we are interested in connecting certain aspects of that configuration with more abstract theoretical propositions. This work fulfills a double purpose: to give greater heuristic capacity to our initial empirical analyzes and, at the same time, to give grounds for a reflective thought of the notion of "social studies of music". The aim is to develop the following issues: 1) the relationship between art and market, 2) the relationship between criticism and pragmatics, 3) the relationship between music and social movements and 4) the relationship between these problems and the diverse approaches to the musical phenomena. A partir de uma pesquisa coletiva discernimos uma configuração emergente na qual os termos gerir, mesclar y habitar, são verbos constitutivos da experiência musical entre jovens envolvidos em espaços de produção e uso de música independente nas cidades de Buenos Aires e La Plata, desde 2008. Interessa-nos articular aspetos relevantes dessa configuração com proposições teóricas mais abstratas, um processo que pretende oferecer um duplo contributo: ampliar a capacidade heurística das nossas análises empíricas iniciais e fundamentar a análise reflexiva da noção de "campo de estudos sociais da música". Este exercício sustenta-se no desenvolvimento dos seguintes pontos: 1) a relação entre arte e mercado, 2) a relação entre crítica e pragmática, 3) a relação entre a música e movimentos sociais e 4) a relação entre essas problematizações e as características do campo de análise dos fenómenos musicais.
Descripción Física:	p.77-99
ISSN:	ISSN 2250-7116

MARC


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245	1	0	\|a Romanticismo, crítica y uso \|b : los emprendimientos musicales independientes y las discusiones del campo de estudios de la música
246	3	3	\|a Romanticism, Criticism and Use \|b Independent Musical Ventures and Discussions in the Field of Music Studies
246	3	3	\|a Romantismo, crítica e uso \|b empreendimentos musicais independentes e as discussões do campo de estudos da música
041		7	\|2 ISO 639-1 \|a es
300			\|a p.77-99
520	3		\|a A partir de una investigación colectiva discernimos una configuración emergente en la que gestionar, mezclar y habitar son verbos constitutivos de la experiencia musical entre jóvenes que participan de espacios de producción y uso de música independiente en las ciudades de Buenos Aires y La Plata desde el año 2008 hasta la actualidad. En este artículo nos interesa conectar aspectos relevantes de esa configuración con proposiciones teóricas más abstractas sosteniendo un doble papel: ampliar la capacidad heurística a nuestros análisis empíricos iniciales y darle fundamentos a una consideración reflexiva de la noción de "campo de estudios sociales de la música". Este esfuerzo se orienta a desarrollar los siguientes puntos: 1) la relación entre arte y mercado, 2) la relación entre crítica y pragmática, 3) la relación entre música y movimientos sociales y 4) la relación entre estas problematizaciones y las características del campo de análisis de los fenómenos musicales.
653			\|a Música independiente
653			\|a Jóvenes
653			\|a Nuevas tecnologías
653			\|a Pragmatismo
653			\|a Crítica
520	3		\|a Based on a collective research we perceive an emergent configuration in which the verbs to manage, mix and inhabit are constitutive of the musical experience among young people who participate in the production and use of independent music in the cities of Buenos Aires and La Plata from the year 2008 to the present. In this article we are interested in connecting certain aspects of that configuration with more abstract theoretical propositions. This work fulfills a double purpose: to give greater heuristic capacity to our initial empirical analyzes and, at the same time, to give grounds for a reflective thought of the notion of "social studies of music". The aim is to develop the following issues: 1) the relationship between art and market, 2) the relationship between criticism and pragmatics, 3) the relationship between music and social movements and 4) the relationship between these problems and the diverse approaches to the musical phenomena.
653			\|a Independent music
653			\|a Youth
653			\|a New technologies
653			\|a Pragmatism
653			\|a Critique
520	3		\|a A partir de uma pesquisa coletiva discernimos uma configuração emergente na qual os termos gerir, mesclar y habitar, são verbos constitutivos da experiência musical entre jovens envolvidos em espaços de produção e uso de música independente nas cidades de Buenos Aires e La Plata, desde 2008. Interessa-nos articular aspetos relevantes dessa configuração com proposições teóricas mais abstratas, um processo que pretende oferecer um duplo contributo: ampliar a capacidade heurística das nossas análises empíricas iniciais e fundamentar a análise reflexiva da noção de "campo de estudos sociais da música". Este exercício sustenta-se no desenvolvimento dos seguintes pontos: 1) a relação entre arte e mercado, 2) a relação entre crítica e pragmática, 3) a relação entre a música e movimentos sociais e 4) a relação entre essas problematizações e as características do campo de análise dos fenómenos musicais.
653			\|a Música independente^lpt
653			\|a Jovens
653			\|a Novas tecnologias
653			\|a Pragmatismo
653			\|a Crítica
856	4	0	\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.13740/pr.13740.pdf
952			\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.13740/pr.13740.pdf \|a MEMORIA ACADEMICA \|b MEMORIA ACADEMICA
856	4	1	\|u http://sedici.unlp.edu.ar/handle/10915/95383
856	4	1	\|u http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7483
856	4	1	\|u https://ri.conicet.gov.ar/handle/11336/94787
773	0		\|7 nnas \|t El oído pensante. \|g Vol. 6 No. 2 (2018),77-99 \|v 6 \|l 2 \|q 77-99 \|d Buenos Aires : Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Ciencias Antropológicas, 2018 \|x ISSN 2250-7116
542	1		\|f Esta obra está bajo una licencia Creative Commons Atribución-NoComercial 2.5 Argentina \|u http://creativecommons.org/licenses/by-nc/2.5/ar/

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Romanticismo, crítica y uso : los emprendimientos musicales independientes y las discusiones del campo de estudios de la música

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