"Quién hace tanta bulla" : Puntuaciones políticas de la voz y la escucha en la poesía latinoamericana

Detalles Bibliográficos
Publicado en:	Orbis Tertius. Vol. 25 No. 32 (2020),e166 25. Ensenada : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios de Teoría y Crítica Literaria, 2020 Artículos
Autor Principal:	Porrúa, Ana
Formato:	Artículo
Temas:	Voz Escucha Poesía Latinoamericana Puntuación Voice Listening Latin American Poetry Punctuation
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.12295/pr.12295.pdf https://www.orbistertius.unlp.edu.ar/article/view/11090 10.24215/18517811e166
Resumen:	Se abordará la cuestión de la voz y la escucha en algunos textos o escenas de la poesía latinoamericana del siglo XIX y, con mayor énfasis, del XX y el XXI. Se analizarán las delimitaciones y concomitancias entre la voz/logos y el ruido. Luego se focalizarán algunas constituciones históricas y culturales de la voz y el oído, a partir de la idea de resonancia y de escucha crítica, así como también del efecto de la puntuación sobre las hablas que propone nuevos enlaces entre oralidad y escritura. In this article, the issue of voicing and listening in certain texts or scenes in Latin American poetry from the nineteenth century, and most especially twentieth and twenty-first centuries, will be discussed. Delimitations and concomitances between voice-logos and noise will be drawn. Certain historical and cultural constitutions of voice and hearing will be dealt with from the idea of resonance and critical listening, as well as the effect of punctuation on speech, which proposes new links between orality and writing.
Descripción Física:	p.e166
ISSN:	ISSN 1851-7811

MARC


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100			\|a Porrúa, Ana \|u Universidad Nacional de Mar del Plata / CONICET
245	1	0	\|a "Quién hace tanta bulla" \|b : Puntuaciones políticas de la voz y la escucha en la poesía latinoamericana
246	3	3	\|a "Quién hace tanta bulla" \|b Political punctuations of hearing and voicing in Latin American poetry
041		7	\|2 ISO 639-1 \|a es
300			\|a p.e166
520	3		\|a Se abordará la cuestión de la voz y la escucha en algunos textos o escenas de la poesía latinoamericana del siglo XIX y, con mayor énfasis, del XX y el XXI. Se analizarán las delimitaciones y concomitancias entre la voz/logos y el ruido. Luego se focalizarán algunas constituciones históricas y culturales de la voz y el oído, a partir de la idea de resonancia y de escucha crítica, así como también del efecto de la puntuación sobre las hablas que propone nuevos enlaces entre oralidad y escritura.
653			\|a Voz
653			\|a Escucha
653			\|a Poesía Latinoamericana
653			\|a Puntuación
520	3		\|a In this article, the issue of voicing and listening in certain texts or scenes in Latin American poetry from the nineteenth century, and most especially twentieth and twenty-first centuries, will be discussed. Delimitations and concomitances between voice-logos and noise will be drawn. Certain historical and cultural constitutions of voice and hearing will be dealt with from the idea of resonance and critical listening, as well as the effect of punctuation on speech, which proposes new links between orality and writing.
653			\|a Voice
653			\|a Listening
653			\|a Latin American Poetry
653			\|a Punctuation
856	4	0	\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.12295/pr.12295.pdf
952			\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.12295/pr.12295.pdf \|a MEMORIA ACADEMICA \|b MEMORIA ACADEMICA
856	4	1	\|u https://www.orbistertius.unlp.edu.ar/article/view/11090
856			\|u 10.24215/18517811e166
773	0		\|7 nnas \|t Orbis Tertius. \|g Vol. 25 No. 32 (2020),e166 \|v 25 \|l 32 \|q e166 \|d Ensenada : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios de Teoría y Crítica Literaria, 2020 \|x ISSN 1851-7811 \|k Artículos
542	1		\|f Esta obra está bajo una licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional \|u https://creativecommons.org/licenses/by-nc-sa/4.0/

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"Quién hace tanta bulla" : Puntuaciones políticas de la voz y la escucha en la poesía latinoamericana

MARC

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