Entre la retórica teatral y el ensayo : la autoconstrucción de Martín Kohan en Museo de la revolución

Detalles Bibliográficos
Publicado en:	Orbis Tertius. Vol. 23 No. 28 (2018),e093 23. Ensenada : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios de Teoría y Crítica Literaria, 2018 Artículos
Autor Principal:	Vega, María Angélica
Formato:	Artículo
Temas:	Autoconstrucción Martín Kohan Teatro Ensayo Self-construction Martín Kohan Theatre Essay Museo de la revolución Kohan, Martín
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9338/pr.9338.pdf https://www.orbistertius.unlp.edu.ar/article/view/9238 10.24215/18517811e093
Resumen:	Puesto que quien enuncia se presenta en sus figuraciones textuales, este trabajo se centra en la autoconstrucción de Kohan en la novela Museo de la Revolución (2006) mediante el uso de la retórica teatral y el género ensayo: primero, se observa un enunciador que desmonta los efectos de sentidos del presente en el que lee los restos del pasado y, luego, un yo que prueba con la novela que es condición de circulación de las notas escritas por un revolucionario en los setenta Considering that the one who enunciates appears in his textual figurations, this work focuses on Martín Kohan's self-construction on the novel Museo de la revolución (2006) by means of the use of the rhetoric of theater and the essay form: first, we find an enunciator that dismantles the meaning effects of the present in which he reads the remains of the past and, second, a self who writes a novel that functions as a condition for the circulation of some notes written by a revolutionary in the seventies.
Descripción Física:	p.e093
ISSN:	ISSN 1851-7811

MARC


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100			\|a Vega, María Angélica \|u Universidad Nacional de Córdoba
245	1	0	\|a Entre la retórica teatral y el ensayo \|b : la autoconstrucción de Martín Kohan en Museo de la revolución
041		7	\|2 ISO 639-1 \|a es
300			\|a p.e093
520	3		\|a Puesto que quien enuncia se presenta en sus figuraciones textuales, este trabajo se centra en la autoconstrucción de Kohan en la novela Museo de la Revolución (2006) mediante el uso de la retórica teatral y el género ensayo: primero, se observa un enunciador que desmonta los efectos de sentidos del presente en el que lee los restos del pasado y, luego, un yo que prueba con la novela que es condición de circulación de las notas escritas por un revolucionario en los setenta
653			\|a Autoconstrucción
653			\|a Martín Kohan
653			\|a Teatro
653			\|a Ensayo
520	3		\|a Considering that the one who enunciates appears in his textual figurations, this work focuses on Martín Kohan's self-construction on the novel Museo de la revolución (2006) by means of the use of the rhetoric of theater and the essay form: first, we find an enunciator that dismantles the meaning effects of the present in which he reads the remains of the past and, second, a self who writes a novel that functions as a condition for the circulation of some notes written by a revolutionary in the seventies.
653			\|a Self-construction Martín Kohan
653			\|a Theatre
653			\|a Essay
650	0	4	\|a Museo de la revolución
650	0	4	\|a Kohan, Martín
856	4	0	\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9338/pr.9338.pdf
952			\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9338/pr.9338.pdf \|a MEMORIA ACADEMICA \|b MEMORIA ACADEMICA
856	4	1	\|u https://www.orbistertius.unlp.edu.ar/article/view/9238
856			\|u 10.24215/18517811e093
773	0		\|7 nnas \|t Orbis Tertius. \|g Vol. 23 No. 28 (2018),e093 \|v 23 \|l 28 \|q e093 \|d Ensenada : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios de Teoría y Crítica Literaria, 2018 \|x ISSN 1851-7811 \|k Artículos
542	1		\|f Esta obra está bajo una licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional \|u https://creativecommons.org/licenses/by-nc-sa/4.0/

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Entre la retórica teatral y el ensayo : la autoconstrucción de Martín Kohan en Museo de la revolución

MARC

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