La burocracia en el arte. El discurso judicial en la obra de E. A. Vigo

Detalles Bibliográficos
Publicado en:	El hilo de la fábula. Vol. 16 No. 18 (2018),203-212 16. Santa Fe : Universidad Nacional del Litoral. Facultad de Humanidades y Ciencias. Centro de Estudios Comparados, 2018
Autor Principal:	Bugnone, Ana
Formato:	Artículo
Temas:	Arte Burocracia Edgardo Antonio Vigo Discurso Lenguaje judicial Política Art Bureaucracy Discourse Legal Language Politics
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9197/pr.9197.pdf http://sedici.unlp.edu.ar/handle/10915/88862 https://ri.conicet.gov.ar/handle/11336/181432 10.14409/hf.v0i18.7165
Resumen:	Este artículo se centra en el estudio de la obra del artista vanguardista argentino Edgardo Antonio Vigo, especialmente en la forma en que combinó arte y burocracia a través de la adopción y distorsión del lenguaje judicial. Se analizan algunas obras donde aparecen las formas lingüísticas, los géneros, la materialidad y la visualidad del discurso judicial, cuyo uso es irónico y crítico, desubicando el lenguaje judicial de su lugar original y natural. Vigo emplea la firma, los hilos y los términos específicos de dicho lenguaje como parte de una utilización excéntrica de las formas de un espacio al que pertenece por su trabajo diario, pero de modo impropio por no ser un sujeto autorizado en términos de los límites que ese discurso impone. Asimismo, se examinan los trabajos artísticos donde aparece una crítica al sistema judicial por injusto y desigual. Estos elementos llevan a verificar la politicidad de estos trabajo, en términos de una configuración interna de la obra que se vincula con un medio al que no pertenece, que hace público y al que permite circular por fuera de sus espacios normales y reglados. This paper focuses on the study of the work of Argentinian avant?garde artist Edgardo Antonio Vigo, particularly on the way he combined art and bureaucracy through the use and manipulation of legal language. We will analyze some works that feature the linguistic forms, genres, and the material and visual nature of legal discourse used in an ironic and critical way, which put legal language outside its natural, original place. Vigo employs the signatures, threads and specific terms of said language as an eccentric use of the forms of a space that he belongs to because of his everyday work, but still in an inappropriate way given the fact that he is not an authorized person in terms of the limits imposed by such discourse. Those artworks that criticize the judicial system for being unequal and unfair will also be analyzed. These elements prove that his works have a political character in terms of their internal configuration which is linked to an environment it does not belong to, which it makes public and which allows it to exist outside its usual, regulated spaces.
Descripción Física:	p.203-212
ISSN:	ISSN 1667-7900

MARC


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100			\|a Bugnone, Ana \|u Universidad Nacional de La Plata - CONICET
245	1	0	\|a La burocracia en el arte. El discurso judicial en la obra de E. A. Vigo
041		7	\|2 ISO 639-1 \|a es
300			\|a p.203-212
520	3		\|a Este artículo se centra en el estudio de la obra del artista vanguardista argentino Edgardo Antonio Vigo, especialmente en la forma en que combinó arte y burocracia a través de la adopción y distorsión del lenguaje judicial. Se analizan algunas obras donde aparecen las formas lingüísticas, los géneros, la materialidad y la visualidad del discurso judicial, cuyo uso es irónico y crítico, desubicando el lenguaje judicial de su lugar original y natural. Vigo emplea la firma, los hilos y los términos específicos de dicho lenguaje como parte de una utilización excéntrica de las formas de un espacio al que pertenece por su trabajo diario, pero de modo impropio por no ser un sujeto autorizado en términos de los límites que ese discurso impone. Asimismo, se examinan los trabajos artísticos donde aparece una crítica al sistema judicial por injusto y desigual. Estos elementos llevan a verificar la politicidad de estos trabajo, en términos de una configuración interna de la obra que se vincula con un medio al que no pertenece, que hace público y al que permite circular por fuera de sus espacios normales y reglados.
653			\|a Arte
653			\|a Burocracia
653			\|a Edgardo Antonio Vigo
653			\|a Discurso
653			\|a Lenguaje judicial
653			\|a Política
520	3		\|a This paper focuses on the study of the work of Argentinian avant?garde artist Edgardo Antonio Vigo, particularly on the way he combined art and bureaucracy through the use and manipulation of legal language. We will analyze some works that feature the linguistic forms, genres, and the material and visual nature of legal discourse used in an ironic and critical way, which put legal language outside its natural, original place. Vigo employs the signatures, threads and specific terms of said language as an eccentric use of the forms of a space that he belongs to because of his everyday work, but still in an inappropriate way given the fact that he is not an authorized person in terms of the limits imposed by such discourse. Those artworks that criticize the judicial system for being unequal and unfair will also be analyzed. These elements prove that his works have a political character in terms of their internal configuration which is linked to an environment it does not belong to, which it makes public and which allows it to exist outside its usual, regulated spaces.
653			\|a Art
653			\|a Bureaucracy
653			\|a Edgardo Antonio Vigo
653			\|a Discourse
653			\|a Legal Language
653			\|a Politics
856	4	0	\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9197/pr.9197.pdf
952			\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.9197/pr.9197.pdf \|a MEMORIA ACADEMICA \|b MEMORIA ACADEMICA
856	4	1	\|u http://sedici.unlp.edu.ar/handle/10915/88862
856	4	1	\|u https://ri.conicet.gov.ar/handle/11336/181432
856			\|u 10.14409/hf.v0i18.7165
773	0		\|7 nnas \|t El hilo de la fábula. \|g Vol. 16 No. 18 (2018),203-212 \|v 16 \|l 18 \|q 203-212 \|d Santa Fe : Universidad Nacional del Litoral. Facultad de Humanidades y Ciencias. Centro de Estudios Comparados, 2018 \|x ISSN 1667-7900
542	1		\|f Esta obra está bajo una licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional \|u https://creativecommons.org/licenses/by-nc-sa/4.0/

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La burocracia en el arte. El discurso judicial en la obra de E. A. Vigo

MARC

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