La caricatura como crítica de arte : humor y experimento lingüístico de Caras y Caretas a Martín Fierro vanguardista

Detalles Bibliográficos
Publicado en:	CELEHIS. No. 18 (2007),115-137. Mar del Plata : Universidad Nacional de Mar del Plata. Facultad de Humanidades. Centro de Letras Hispanoamericanas, 2007
Autor Principal:	Rogers, Geraldine
Formato:	Artículo
Temas:	Vanguardia Cultura masiva Humor Caricatura Avant-garde Mass culture Popular culture Humour Caricature
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.8657/pr.8657.pdf https://fh.mdp.edu.ar/revistas/index.php/celehis/article/view/517 http://sedici.unlp.edu.ar/handle/10915/89120
Resumen:	A comienzos del XX la expansión del mercado cultural aceleró los préstamos y traspasos entre el circuito culto y el masivo. Este trabajo muetra los cruces de dos revistas muy diferentes como la popular Caras y Caretas y la vanguardista Martín Fierro, señalando la conexión entre prácticas que hallaban espacio en la cultura masiva y experimentos posteriores de la alta cultura argentina. La irreverencia y el gusto porel absurdo, los ejercicios lúdico-críticos de la primera son una precedente del umor vanguardista de la segunda en los años veinte. Tempranamente, la heteronomía mercantil dio espacio en Caras y Caretas a lo que todavía no era posible en el campo de la cultura elevada. Un aire de libertad y desenvoltura, apropiado a la sensibilidad moderna, permitía a la revista descolocar los objetos del lugar prestablecido y despachar con alegre desenfado elementos de la tradición. In te early XXth century the growth of the cultural market impelled some dynamic interchanges between high and low cultural circuits. This article studies the crossroads between two very different periodicals, the popular Caras y Caretas and the modernist Martín Fierro, showing how some practices that were very usual in mass culture overtook later high culture's avant-garde field. The first's one fondness of mockery, irreverence and parody preceded avant-garde`s sense of humor at 1920's. Very early, the commercial basis pf Caras y Caretas made possible what not yet practicable in high culture. In the first one, a more free tendency brought out a modern inclination to change, turn and alter tradition.
Notas:	Documento incorporado en 2018 en el marco del "Programa de becas de experiencia laboral" de la Biblioteca Profesor Guillermo Obiols para estudiantes de Bibliotecología, a partir de un procedimiento técnico de captura de datos desarrollado por el personal del IdIHCS.
Descripción Física:	p.115-137
ISSN:	ISSN 2313-9463

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La caricatura como crítica de arte : humor y experimento lingüístico de Caras y Caretas a Martín Fierro vanguardista

https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.8657/pr.8657.pdf

https://fh.mdp.edu.ar/revistas/index.php/celehis/article/view/517

http://sedici.unlp.edu.ar/handle/10915/89120

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