La adivinación en Oedipus de Séneca

Detalles Bibliográficos
Publicado en:	Auster. No. 12 (2007),41-55. La Plata : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Latinos, 2007
Autor Principal:	Galán, Lía Margarita
Formato:	Artículo
Temas:	Tragedia romana Edipo Adivinación Extispicio Necromancia Roman tragedy Oedipus Divination Extispicy Ecromancy Análisis literario Ritos Teatro Roma Séneca, Lucio Anneo
Acceso en línea:	https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.3315/pr.3315.pdf
Resumen:	El estudio tiene como objetivo presentar el motivo de los ritos y las ceremonias en Oedipus de Séneca como formas semánticamente fuertes, en oposición a la opinión generalizada de la crítica, para la que tales motivos resultan ornamentales y supernumerarios. El análisis abarca las escenas de la adivinación por el fuego (empiromancia) y el examen de las vísceras de los animales inmolados (extispicio), y la necromancia de Tiresias en el relato que de ella hace Creonte. La importancia de tales escenas proviene de la complejidad de ideas y nociones que convergen en ellas: cuestiones filosóficas apoyadas en el estoicismo, las creencias propiamente itálicas en las variadas formas de la diuinatio, la tradición oracular, la afirmación de lo romano frente a lo griego, la captatio beneuolentiae y la movilización del affectus de la audiencia que organizan los efectos dramáticos The study has the purpose to present the motive of rites and ceremonies in Seneca's 0edipus as semantically strong forms, in opposition to the widespread opinion of the criticism that has seen such motives as ornamental and supernumerary. The artalysis includes the scenes of the divination by the fire (empiromancy) and the examination of the immolated animals' viscera (extispicy), and the Tiresias' necromancy in the Creon's speech. The importance of such scenes comes from the complexity of ideas and notions that converge on them: Stoic philosophical matters, the properly italic beliefs in the varied forms of the diuinatio, the oracular tradition, the affirmation of the Roman culture in front of the Greek tradition, the captatio beneuolentiae and the mobilization of the affectus' audience that organize the dramatic effects
Descripción Física:	p.41-55

MARC


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100			\|a Galán, Lía Margarita \|u Universidad Nacional de La Plata. Centro de Estudios Latinos
245	1	0	\|a La adivinación en Oedipus de Séneca
041		7	\|2 ISO 639-1 \|a es
300			\|a p.41-55
520	3		\|a El estudio tiene como objetivo presentar el motivo de los ritos y las ceremonias en Oedipus de Séneca como formas semánticamente fuertes, en oposición a la opinión generalizada de la crítica, para la que tales motivos resultan ornamentales y supernumerarios. El análisis abarca las escenas de la adivinación por el fuego (empiromancia) y el examen de las vísceras de los animales inmolados (extispicio), y la necromancia de Tiresias en el relato que de ella hace Creonte. La importancia de tales escenas proviene de la complejidad de ideas y nociones que convergen en ellas: cuestiones filosóficas apoyadas en el estoicismo, las creencias propiamente itálicas en las variadas formas de la diuinatio, la tradición oracular, la afirmación de lo romano frente a lo griego, la captatio beneuolentiae y la movilización del affectus de la audiencia que organizan los efectos dramáticos
653			\|a Tragedia romana
653			\|a Edipo
653			\|a Adivinación
653			\|a Extispicio
653			\|a Necromancia
520	3		\|a The study has the purpose to present the motive of rites and ceremonies in Seneca's 0edipus as semantically strong forms, in opposition to the widespread opinion of the criticism that has seen such motives as ornamental and supernumerary. The artalysis includes the scenes of the divination by the fire (empiromancy) and the examination of the immolated animals' viscera (extispicy), and the Tiresias' necromancy in the Creon's speech. The importance of such scenes comes from the complexity of ideas and notions that converge on them: Stoic philosophical matters, the properly italic beliefs in the varied forms of the diuinatio, the oracular tradition, the affirmation of the Roman culture in front of the Greek tradition, the captatio beneuolentiae and the mobilization of the affectus' audience that organize the dramatic effects
653			\|a Roman tragedy
653			\|a Oedipus
653			\|a Divination
653			\|a Extispicy
653			\|a Ecromancy
650	0	4	\|a Análisis literario
650	0	4	\|a Ritos
650	0	4	\|a Edipo
650	0	4	\|a Teatro
650	0	4	\|a Roma
650	0	4	\|a Séneca, Lucio Anneo
856	4	0	\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.3315/pr.3315.pdf
952			\|u https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.3315/pr.3315.pdf \|a MEMORIA ACADEMICA \|b MEMORIA ACADEMICA
773	0		\|7 nnas \|t Auster. \|g No. 12 (2007),41-55 \|l 12 \|q 41-55 \|d La Plata : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Latinos, 2007
542	1		\|f Esta obra está bajo una licencia Creative Commons Atribución-NoComercial-SinDerivadas 2.5 Argentina \|u https://creativecommons.org/licenses/by-nc-nd/2.5/ar/

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La adivinación en Oedipus de Séneca

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