Introduction to counterpoint
| Autor Principal: | |
|---|---|
| Formato: | Libro |
| Lengua: | inglés |
| Datos de publicación: |
London :
Oxford Univesity,
1979
|
| Edición: | 11a reimp. ed. |
| Temas: | |
| Acceso en línea: | Consultar en el Cátalogo |
| Descripción Física: | 54 p. ; 21,5 cm. |
| ISBN: | 0193173093 |
Tabla de Contenidos:
- Introduction
- 1- Note against note; rules of melodic and harmonic progression
- 2- Two notes to one; unaccented passing notes; auxiliary note; subsidiary notes; accented passing and auxiliary notes; diatonic and chromatic
- 3- Three, four, six and eigth notes to one; types of pattern commonly employed; changing notes
- 4- Tied notes and suspensions
- 5- Suspensions (continued); delayed and ornamental resolutions; combination of movement in the added part with suspensions in the C.F.
- 6- Mixed rhythm (or Fith Species). Additional figures employeed in this species; transformation of first species intro fifth by melodic decoration
- 7- Combination of two parts in Fifth Species; choice of methods available
- 8- Three-part counterpoint, note against note, with or withhout the use of passaing notes; doubling or omission of notes from a three-part chord
- 9- Combined counterpoint in three parts; first, second and third apecies; first, third and fourth apecies
- 10- Addition of two free parts in free thythm, with or without imitation
- 11- Four-part counterpoint; recapitulation of Chaters VIII, IX and XI, with the addition of fourth part